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Indigenous Studies

The morgue in Gunbalanya holds no more than half a dozen corpses – and, as usual, it was full. When the Old Man died in the wet season of 2012, they had to fly him to Darwin, only to discover that the morgue there was already overcrowded. So they moved him again, this time to Katherine, where they put him on ice until the funeral. The hot climate notwithstanding, things can move at glacial speed in the Northern Territory, where the wags tell you that NT stands for ‘Not today, not tomorrow’. The big departure had stalked and yet eluded the Old Man in recent years. Now he would wait six months for his burial. Only then would he be properly ‘finished up’, as they say in Gunbalanya, a place rich in many things: poverty, and euphemisms for death, among them.

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Words matter, and there can be few more misleading ones in Australian history than ‘settlement’, as used to describe the period immediately following the arrival of the First Fleet. It connotes understanding and agreement. In Sydney Cove, by contrast, five distinct groups were present: Governor Phillip and his immediate entourage; naval vessels and their crews; a detachment of Royal Marines; a group of convicts; and the Indigenous people of the area whose home it had been for tens of thousands of years – all of them at some stage profoundly misunderstanding each other and often in major disagreement or conflict; all of them decidedly unsettled.

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Over the last few years, issues associated with underdevelopment in Aboriginal Australia have been widely canvassed in the mainstream press, led by the likes of Noel Pearson, Marcia Langton, and Peter Sutton. This new edited volume adopts a somewhat different approach to Aboriginal development, focusing on Indigenous involvement in natural resource management around Australia.

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Darrell Lewis first encountered the Victoria River District of the Northern Territory in 1971 when he worked as a field assistant for the Bureau of Mineral Resources. ‘There was an aura about the country which fired my imagination,’ he writes. Since then, as an historian and archaeologist, he has become an auth ...

One of the first things that Australians learn at school or on arrival as migrants is that this country has a rich history of war. Australia’s military tradition has been an integral part of the making of modern Australia. World War II opened doors to a wave of European migration and cultural enrichment, and each conflict since then has been followed by a similar surge of social development. Australia has grown up on war – or, at least, we have grown through it.

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Communities, extended family connections, and role models have been keys to Aboriginal participation in Australian sport. Other factors – racist exclusion among them – have limited the appearance of Indigenous athletes in professional running and boxing. The high proportion of Aboriginal footballers now playing in the Australian Football League and both rugby codes inevitably begs the question of absences in other major sports.

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Many Australians are hungry for answers to Indigenous disadvantage. In recent years, anthropologists have been among those who have proposed solutions. This latest offering is from Diane Austin-Broos, professor emerita at the University of Sydney and long-time ethnographer of the ...

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This bold book, with its lucid prose and vivid illustrations, will be discussed for years to come. It is not original in the narrow sense of the word, but it takes an important idea to new heights because of the author’s persistence and skill. Bill Gammage, an oldish and experienced historian of rural background ...

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I am a doctor. Once I was a doctor of individuals, now I am a ‘doctor of populations’. Population health is about actions to improve the health of communities, nations, and the world. Challenges are many: the mobility and density of populations, contemporary desires and pressures, the safety of food in complex systems, poverty, the immense power of big businesse ...

The Telstra National Aboriginal and Torres Strait Islander Art Award is the major event on the Indigenous visual arts calendar. Its significance rests with the quality art exhibited under the mantle of the award and the crowd it attracts to Darwin every August. Artists from disparate communities mingle to cement relationships through shared kinship, songlines, and history. Excited coordinators from community cooperatives mix with urbane curators and gallery owners – projects are conceived. Collectors jostle to reserve the best works.

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